I do like the blackness of her hair in the last panels. I need to do that more.

I guess I was channeling a Frank Miller here or something because of the roughness of the art.

Looking back at these old pages I would redraw this story in a totally different way. I’m also rolling my eyes at the script.

So many close ups because those are quick to draw and I was rushing to make the deadline for this comic every week as well as the deadlines for No Stereotypes every week. Between the two comics I was delivering 5 pages of art a week for no page and my art stuck behind a paywall. The entire time I worked for moderntales.com I got 1 check for $100 because I asked for it because I couldn’t afford gas to get home from SDCC.

A running theme in my career as a comic artist.

A diner drawn with no research. Ta da! So bad…

Because the art is so rushed is why this comic is way down here at the bottom of the page.

I like the panel where the cigarette falls.

I like the reveal of her skin color here because of the black and white nature of the comic.

A lot of the art was done with micron quickly scratched on and then the heavy lines done in sharpie. The snow was done digitally.

I tried to get across here that they are wearing clothes for survival while she is wearing clothes for fashion.

This is one page that is starting to come together with how I was using panels. It’s a basic 9 panel grid for NonPersons. I thought limiting myself to the structure would be good for me.